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put me down softly,
but if you must,
let it be as if a feral hound

brined, conundrum.


An empty room
In an empty bottle
In an empty bottle
In an empty bottle
And an empty bottle


as the acacia performs a bite 
the squirrel shakes their leaves

scream until the hole in your chest sewn shut
hold the pressure-bandaged, live a long life

the boxwood flicking their tail
and mutts scratch their periderm

inasmuch as maturity proceeds life, i tend to fear being of a poor analog
because i learnt to fast on demand locked behind the door with a hole punched out
insofar as youth was fleeting and an old soul, but moreso orchestrated at best
because i dealt out crisis management with a side of lego, dolls, and a capgun colt
whereas intellect is corpus of experience, the fable read in reverse- alast alphabet preamble
because i now wake up screaming inside a plush filled cot and play pretend
hereinafter i adore the bears and birds, run to the whimsy, regress to replace a mature cog

The bloodied eye on my wall
has a pupil to watch me pass
time, away from the worldly.
The eye on my wall is watching
me make it stronger drip-by-drop
i wait underneath knowing's to come.
The solitary eye on my wall
drips tears of my lifeless
blood, cheers and a toast.

life demands tears of the sky, the tissue was too much, now she takes the zoloft in her cloud-held clutch

we got high together 
the u and i in suicide were allied,
we decide
is it aside 2 say 'twas all lies

a year ago u should have died 
now when i try u don't cry, 
ally do u c u come first
i come 2 sicide twice 4 u each time



cameras steal my soul


i will take it back


cameras gouge my eyes


i will break it back



it feels good to write in a way that reminds of the delicacy of star-of-bethlehem petals when reflecting on grief. 
it feels good to see a beautied mechanism of the mind. 
it feels good to live and die in a succinct phrasing alone.
it feels good to read and be reminded of innocent times. to seek feeling good is human. 

still, as we hinder the more human of us, i struggle to not critique impotent readings that only intend to devise: perhaps ones without substance or a skimmed grasp on two words before a monologue in the non-textual.
however, there is a lingering nudge that to not be one of them is a betrayal.
that when no one can break down words to any meaning, let alone recognize their place in the artistry, none of this could ever matter.
and more than anyone, i must be a pedant to write.
so maybe if a stanza can be one gram less speed wasted on becoming human, none of this could ever matter.
never-mind a protesting voice will always be present in the mind to re-mind: you can never be right, you can write and none of it matters. 

why would sappho ever fold to a misread letter
poetry in itself is a work that might simply never focus on the author
there is a minimal pressure placed upon how the scrutiny of a reader potentiates how one writes
who is the modern poet to camus 


sometimes a wri-
ter is there to make a
 few dollars with a
  fad stanza 
 two lines writ
er- a blank page

— and a name below


what you find in that reproduction of subsidiary memetic cultural knowledge is:
the fairweather peruser will read that paperback and understand the unbroken soil
maybe kick the leaf litter and look at a throbbing slug 


The unkempt mahogany desk is 
only an abandoned birds-nest
with an egg, solitaire, awaiting new warmth

A satin-lined swivel adorning a
platonic formed bearded, bald
salt-of-the-earth-foot-in-the-grave

And he scribed living word 
that only mattered now one-
foot-beget-six-feet gone

That his tune never met an ear
means nothing to an ink-laden vessel
on her flight atop sheet clouds

So an aviary of doggerel prose 
all-nothing-worth without a dead man 
to mourn, oh, dead man to season of his earth

How the mahogany is the soul of he
who holds the profundity of his grain,
it keeps his egg safe due last migration

Each one does and emerges spring as 
a new top coat and I see no mahogany 
and a cuckoo father to a nesting eagle


to perceive the aspect of an integral author, or perhaps novelty, to one poet's nuance is a task only left to,
truly,
pedants.

dually not-novel in analysis, the subjectivity of a poem's meaning is all the same, 
by a corrupt-party politician to;
by an elementary student to;
by an esteemed linguist to;
by a poetry bestseller to;
by a divorced father to;
by a ward patient to;
by a satirist to;
by an ada meier,
and i am punished to humanity
interpretation unequivocally must not be understood as objective meanings for the wreader nor riter:
the understanding of a work is ever floating at a shifting range between an orator's mind and selected line.
and where a fairweather peruser may be drawn in by topsoil, 
the power of a call for the rape of the earth to gain resources 
an elementary affront to any conceptual deities
and still, if a Creator is a poet, the critics will play a convincing colonist.

maybe if you get me started on meta-poets you'll hear they should burn in hell when they hang themselves off a doorknob
and be read in a high school where she's said to be a poem herself on the state of poetry
how do you leave a note that isn't poetry in the most selfish sense
and a most fortunate student posits a mental illness 
or could perceiving the world as a poet be too much to lose a penchance for the empty page of the lifeless
and some curriculum "you cannot ever be wrong in the space between the page": and a poet may never feel the floordrop


pedants gather in salons and until you decide to enter
you may never see their dicks out; staring at each other.
words tattooed to penis and palm alike.
they are jerking each other off,
pedants cannot help but care solely of 
the pleasure they get to mutually masturbate with a fellow pedant.
and it feels good to never be wrong
and it feels good 
and it feels good 
and it feels good


but there is no discussion on poetry without the humanity that drives pedantic necessity
and there is no courses on reading a work that makes an eye widen
-or there is no line to recur a wavering memory revived past a rotting alzheimers
-as there is no repetition or metre to adhere and feel right about

and grief feels like the sticky bulb when i ruin another star-of-bethlehem 

the boy wearing combat boots battle-worn, his sister's  
had inherited them last year, he wears it with pride
and she was happy with those boots, scratches-scuffs 
took the best care with mink oil and shine, he did

she watched up at a smoother grain, creaseless-unblister'd
cavernous feeling in a healing leather, she wore it and cried
and without any slits atop he wears her out, she is seen
resting her soul, the skin sewn the sole; her leather as it should have been


eek!


		\A reading of nature\
Knollnose ; Bearunfamiliardrupes ; Williamcarloswillows


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pareidolia of the faces affront the mind
on it i see the knot in a pear and wonder 
what was cut and why it never grew back
find it bound asunder as if a flowering thorax of quince

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the olive is resilient and still, see
only fruitage of the straight branch has value, see
a farmer cuts two off
kinked and burled ; straight of arrow
the lingua franca spake in exchange of marrow
a reverse of two host body
the give-and-take not a marriage but crippling, see
a graft is a callus, still a graft is theft, see

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says a willow stump scribed by young first love
"< Love is a young green willow      
Shimmering at the bare woods edge. 3"
in a eulogy of their leaf 

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When I Was Five, spoken word, performed

When I was five, my father looked me in the eyes and told me the truth
There is no loving god that I could pray to, or at least that’s what I heard. 
In some diluted way he believes what disillusioned me
You see, when I was five my father told me not that I would have my bones degrade 
not say, the woman who raised me wanted to leave for adultery
When the adult in me sees no democracy in having your mother punch to bleed.
Is it to be played or do you praise when you take the blade to your own child?

When I was five my father told me what truth? to plead for forgiveness?
A forgiveness from men dressed in suits and lies who took an innocence when I was not home? 
they put it on display on their shelves but you’re blind to see it; paralyzed behind your own two eyes if no one else agrees it.

When I was five I looked in my mirrored eyes, but she wasn’t there
She was already kicked out at nine, fine, but scared to be alive 
Lest he care about anything other than what they perceive as sin?
I swallow my pride with my estrogen, in two milligram capsules
It makes each day a Schrödinger’s box of whether my father’s house has a safe bed to sleep in. 

When I was five, my father wouldn’t look me in the eyes, to follow the truth 
It took him sixty-three years to abide his child was less important than a religion we both criticize, fight nail and tooth
A circle of culty men that in his eyes are worth to defend
I was five when I made up my mind; there is no loving god 

In the loveless name of Jesus Christ, Amen. 

we said McCartney was right singing
we never sawr the birds winging before the other
but what the fuck was that ever supposed to mean to me?
you shot them all dead when i started looking

the meme of the dandelion is only as far as you kick it
stem stepped on the mane of yellow 
stop propagation
too young to grow grey
that baby will never see a blowing revolution from their mouth

I became my mother, I became my father
I was not born them and still they are in my reflection
but not by looks
my father's hair too black, mother's chestnut
but when she killed me every day
and when he cuffed me 
I became who I am
I think of the way I wish to mark the world
the knives through my hands gave me a beauty
the suppression gave me a maturity
the pain gave me a lust
the noise gave me a fear
I want to make more of me, more god than a christ
I want to kill, I want to cuff- they deserve it and I am a parent

I believe that i am predestinate to lust after a deep connection never had
but sometimes when i walk to monotony i will see a crow smaller than the rest
and she looks at me
and we tilt our heads together
I lose timidness slower than her
and we see each other
and i fall in love with the feeling of unconditional knowing
how sapien is man to reject a feathered purity
could i please be feathered


it's this day I wonder if maybe


my mom was a crow
that fans her tail bent down to
click out a grunting screamed beak at unsullied turf
where a rusticate-plucked bareskin uncle fertilizes the roots
apathetic his fate hurt less than being the peck-wound runt long-ago
cynodon dactylon
He was a chafer larvae living in a misnomer bermuda 
and maybe eating Him was retribution enough
rip His home and rest by the warmth each fibre torn
a belly-full
belly full
and still never gone next springtime

I smoked my first cigarette after i stopped drinking for the first time,
certainly too early for either.
I searched the packs i found the same way i learnt i was lucky finding my next drink,
when you face the type of lows where coping is no longer taking breaths or distractions
you'll take the escape given to you.
it's no exceptionality to not know the health risks at 14, 
what remains is knowing depressants and stimulants alike will mellow the pain. 
it was in an apartment trashbin, by some chance: rez cigs.note, one solitary left in embossed red Rolled Gold branding.
the only indigenous person i knew was across the way on the floor and i think he quit for weed.
there is a beautiful irony in the righteousness of quitting to have some kid pick up a habit on your trash.
I knew i could cover the scent of being pickled on stolen spirits but being locked in a room was incongruent to being undetected. 
I smell family when i walk by a pit
that day i only got yelled at for having my candle lit.
I leaned out of the window to light it with old redbird matches.

it was awful and i loved it

the last time he fucked me
 he took my clothes off to
  get in my shower together
   still i wonder if he knew
    when my dirt washes off
     my nakedness is never clean
      i scrub it raw to erase
       what he saw under my walls
        yet how do i burn his eyes
         to not remember an ex
          and the hideous flesh
           i can never escape in suds
            but he was the first one
             i wanted seeing something
              unholy and imperfect
               not under duress by religion 
                and i wanted i wanted i 
                 wanted i wanted so he left 
                  he left he left he left

mgs2 codec
note. [this was when i learnt these rez cigs had no throat cancer lady huge warnings on them. that, cheap prices, and the tax exemption heavily creates a narrative in which the government is trying to aid in the addiction problems they created in the community. that aspect means much more than whatever poetry i could ever write, the genocide has never stopped- just scaled down]
note. [i burn daily, i am a godsent mess, i am more human and i will die by it, i will be fire, i will be my mother, i will still use, i will lose everything, i burn daily, i know no stanza stops it, i am ablaze.]